It’s disorienting to be reminded that some remixes like Junior Vasquez’s take on “Secret,” the Thunderpuss Video remix of “Don’t Tell Me” or the Deep Dish Dot Com radio edit of “Music” made for richer experiences than the originals. Transgender Floridians Sue Over Medicaid Coverage Ban Madge’s personal curatorial touch mostly serves the collection well, and there is a good mix of straightforward and bold, ranging from edits that retain the original structure and feel of the song to the complex house remixes that reimagine her tracks with bold and captivating additions and flourishes. Some of the more jarring choices in the 16-track can be more easily overlooked when they are buried among so many excellent remixes, and her most devoted fans will appreciate that almost half the tracks are rarities that are (at least officially) seeing a digital release for the first time. Passing over some remarkable and rare cuts for more pedestrian late-career work, to say nothing of editing down some of the remixes, presumably to appease the streaming algorithms, begged the question of who exactly the album was meant for.ĥ0 Number Ones manages to skirt around that question by giving us an extensive tour of the dancefloor afterlife of Madonna’s songs. That shorter edition is a fun, eclectic compilation in its own right, but both the scope and selection of remix tracks it presented made it feel a little anemic, given the overwhelming volume and diversity of Madonna remixes out there. Presented as a curated selection of Madonna’s personal favorite remixes and remasters, the 50-track collection is the deluxe edition of a 16-track version that dropped back in June. Given how much she owes to a genre and culture that she has done so much to shape in turn, it should be no surprise that she has chosen to celebrate her career through the artists who have remixed and reinterpreted her iconic catalog through the years.Īrriving the week of her 64th birthday, Finally Enough Love: 50 Number Ones (★★★☆☆) commemorates her 50th time at the top of the dance charts, making her the first and only artist to hit that milestone on any Billboard chart. While Madonna’s outsized influence on the landscape of pop music is inescapable, she has had no less powerful a presence in dance and house music. Very little has been consistent in the life of the chronically self-reinventing Queen of Pop, but one thing she will do almost without fail is turn out a number one hit. Madonna: Finally Enough Love: 50 Number Ones
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